News
DANCE THE DISTANCE
through March 22, 2025
Anne Berlit + Michele Foyer
This exhibition was awarded in recognition of the artists' "innovative and contemporary work" for This is the Future of Non-Objective Art, a 2024 curatorial project of artist Suzan Shutan.

Michele Foyer, Everything for the Travelers
Rhythmic layering and a poetic use of light, color and reflection create distances and depths in the art of Anne Berlit and Michele Foyer. Berlit’s translucent, smooth surfaces and Foyer’s opaque high relief collages play off each other, as well as dance the distances within themselves.
Each artist’s work also dances beyond expected boundaries to incorporate the wall and environment into the piece, as well as engage the viewer in its perception.
Dance the Distance Walk Through / Catherine Project
Friday, March 14th, 2025
Walk through for Catherine Project's Rilke Seminar in honor of Rainer Maria Rilke's 150 year anniversary. The title of "Dance the Distance" nods to Rilke's "Dance the Orange" poem from Sonnets to Orpheus.
Cut, Paste, Create: The Art of Collage, 2024
Bedford Gallery at Lesher Center for the Arts
Juror Award, 2024
This is the Future of Non-Objective Art
Curator Suzan Shutan awarded a two-person exhibition to Michele Foyer and Anne Berlit for "contemporary and innovative approaches to non-objective work." The award exhibition will be in March 2025.
This is the Future of Non-Objective Art:
Atlantic Gallery, NYC + online
Exhibition + Catalogue, 2024
White Hot Magazine of Contemporary Art
This is the Future of Non-Objective Art, by Martha Colburn
March 8, 2024
Featured Exhibition: This is the Future of Non-Objective Art, Art Spiel, February 24, 2024
New American Paintings
Pacific Coast Edition, #169
Juror: Jennifer King, Curator of Contemporary Art. Los Angeles County Museum of Art (LACMA)
Essay by Michael Wilson, writer + critic
"... Michele Foyer, for her part, aims to represent a world in flux through more abstract means: painting, cutting, and conjoining shaped sheets of paper in expansive clusters that suggest the layers of experience and knowledge, which constitute individual psyches - and which are as subject to breakdown and reconstitution as any city. Foyer also paints each work's reverse side, producing a hidden layer of color that is reflected by the walls behind and around it and is highly mutable in its vulnerability to the subtlest changes in ambient light."
Friend of the Artist, 2024
Book Volume #17
Ty Bishop, editor
A Place of Creation: Artists of the Lucid Arts Foundation
Lucid Arts Book Publication, 2024
Fariba Bogazaran, editor
UCROSS Foundation Residencies,
Southwest Contemporary Magazine by Steve Jansen
September, 2023