Michele Foyer creates hybrid works that merge collage, sculpture and painting. Through an idiosyncratic collage process and sensibility, she intricately cuts, tapes, paints, glues and bundles together individual paper pieces to create sculptural paintings.These hybrid works invite viewers to engage with the interplay of painted monochromatic colors and hand-cut shapes which float on luminous fluorescent hues reflected on the wall behind the piece.

New aggregates arise bringing together disparate times, places and modes of ordering experience.The works form a visual and sensory experience that embodies the inherent movement of color and its poetic qualities of relation, resonance and rhyme.

Michele Foyer holds an MFA from the San Francisco Art Institute and a BA with honors from UC Berkeley. Her works have been exhibited throughout the United States for both solo and group exhibitions, and she is included in the White Columns, NYC Artist Registry curated by Matthew Higgs. Ucross Foundation, Morris Graves Foundation, Lucid Arts Foundation, Virginia Center for the Creative Arts and Vermont Studio Center have awarded her residencies.

New American Paintings will feature her work in the next West Coast edition. Other publications include Friend of the Artist and Lucid Arts Foundation book publications, and Art Practical, Whitehot Magazine of Contemporary Art and Southwestern Contemporary Art. Additionally, Foyer has curated exhibitions of contemporary art and writes about color from a non-modernist perspective.

Juror/Curator Award from Suzan Suzan,"This is the Future of Non-Objective Art," 2-person exhibition, Atlantic Gallery, NY
Fourth Wall Gallery, solo exhibition
NIAD Art Center Invitational; curator: Mel Prest
White Columns'Online Invitational; curator: Brittany A King
New Site:Brooklyn Online, curator: Rachel Gugelberger
Millersville University, PA, 4-person Invitational
GearBox Gallery, CA, 2-person Invitational
Root Division, Invitational, curator: Lisa McCutcheon